Bombay Talkies - Review

The movie begins with a young man pushing his father against a wall and angrily declaring that he is a homosexual and not a eunuch. From that moment on, you know that this isn't going to be your regular Hindi movie. The anthology of four short films by Karan Johar, Dibakar Banerjee, Anurag Kashyap and Zoya Akhtar is a celebration of 100 years of Indian cinema. But this is no vacuous song-and-dance party. It's an evocative essay on our love affair with the movies.

The four shorts in Bombay Talkies depict the degree to which movies permeate our lives; how a film song becomes a melancholy lament for a life half-lived; how stars consume us and fill us with magic.

The strongest film is Dibakar's adaptation of a short story by Satyajit Ray. Nawazuddin Siddiqui plays a failed actor who strays into a film shoot. Dibakar narrates his story with such tenderness and Siddiqui is so good that by the end, I was wiping away tears. Karan Johar also steps out of his comfort zone, with a brave, quietly heartbreaking story about a couple and the exuberant gay man who enters their lives. The actors, Randeep Hooda, Saqib Saleem and especially Rani Mukerji, are terrific. Post-interval, Bombay Talkies drops a few notches. The shorts by Zoya and Anurag don't have the same complexity. Anurag's lead actor, Vineet Kumar, is very good, but the story feels stretched. It's interesting to see what Zoya does with a little boy whose most ardent desire is to be Sheila from 'Sheila ki jawani'. Usually a child dancing to an item song is deeply uncomfortable, but here it becomes an anthem for joy and freedom.

Bombay Talkies ends with its own item song, which brings together a roster of stars. The song is distinctly forgettable. And yet, I enjoyed it. Because it ends the film on a necessary note of celebration. And because, truthfully, I'm a sucker for stars. Bombay Talkies is a unique experiment that works very well. The collaboration between four leading directors suggests a confidence that was rare in the industry even a decade ago. I believe that things can only get better from here on.

India’s ‘bad man’ Pran to get Dadasaheb Phalke award

MUMBAI:  Bollywood’s most famous villain Pran will receive the highest award in Indian cinema, the government announced on Friday, in a rare honour for an actor whose career spanned over 300 films in the second half of the 20th century.
Pran Krishan Sikand, 93, known to moviegoing audiences just by his first name, is the 2012 recipient of the Dadasaheb Phalke award, instituted in the name of the man who made India’s first feature film a century ago.
Pran was easily Bollywood’s first-choice villain from the 1950s to the 1980s, although he successfully broke that mould to prove himself equally adept at comedy and drama. He played a hapless father who turns to crime in “Amar Akbar Anthony” (1977) and the affable gangster in “Zanjeer” (1973).
“His impressive performances have bestowed an entirely unique new dimension to the negative and character roles in Hindi cinema,” the ministry of information and broadcasting said in a statement.
Pran, who lives in Mumbai and has been ailing for some months, may not be able to attend the awards ceremony.
“He watched all the news bulletins and he was very happy. He knows it’s a big honour,” the actor’s daughter Pinky Bhalla said. “The whole world has been calling.”
Pran made his Bollywood debut in 1948 in “Ziddi”, acting alongside evergreen hero Dev Anand. In the ensuing decades, his body of work would come to include some of the Indian movie industry’s most famous films.
Such was the dread his name evoked during his heydays as a movie villain that ‘Pran’ is said to have fallen out of favour as a baby name.